Wednesday, 12 March 2014

CONTACT:
Falcarragh Karate Club, Falcarragh, Co. Donegal, Ireland,
Tel: (00 353) 086 1773901,
e-mail; falcarraghkarateclub@gmail.com & falcarraghkarate@gmail.com

CLASSES at: Ionad Chu Chulainn, Ballyconnell Road, Falcarragh, Co. Donegal.
TUESDAYS 7pm -9pm and WEDNESDAYS 7pm - 9pm

THE Falcarragh Karate Club is A NON-PROFIT Organisation run solely for the benefit
of all our members and is dedicated to the improvement of the individual and organisational standards

Our System; We are a "Kissaki Kai" Karate Club




If you are interested in practicing Karate"
The FIRST STEP is the hardest step to take.

Thinking about what it will be like etc. and the process of deciding to attend your first class can be a daunting experience. We understand that, because we went through it too, but by the end of your first session, you could have acquired new skills and be totally relaxed in a new, rewarding and enlightening environment.


"Real KARATE" .. "is NOT", and was not ever intended to be, a young persons "pursuit"

 Karate is not a game, nor intended to be a game Its now important to remember
 that Children in Karate is a TRULY MODERN phenomenon ("not a Traditional one").
 Some basic concepts and principles are helped and often require a degree of life experience and knowledge.



Real Karate is pragmatic at its purest, and it is not a game, its function was and is to provide and to teach Adults civilian protection skills.



Real Karate, is not a sports competition and never was
Unfortunately a current popular misconception, would have people believe & envisioning that the watered down modern versions, that can be regarded an artistic endeavour or sporting activity, where people can win some trophies is real karate, this is a mistake.


Karate; Its primary function and true purpose.
Karate needs to be of an applied practical functional in nature, useful to all, the athlete and the non-athlete, its not a points scoring exercise.

Thursday, 8 August 2013

                                       Falcarragh Karate Club  &  Kissaki Kai in Ireland ....

CONTACT: Falcarragh Karate Club, Kissaki Kai Ireland, Falcarragh, Co. Donegal, Ireland, ...........

                                                        Tel:    (00 353) 086 1773901

                                              e-mail; falcarraghkarateclub@gmail.com

                                                &       falcarraghkarate@gmail.com


              CLASSES at: Ionad Chu Chulainn, Ballyconnell Road, Falcarragh, Co. Donegal.
               on TUESDAYS 7- 9pm, WEDNESDAYS 7- 9pm .....

              Dates and information for open sessions and seminars, etc.
              please check out our training dates page (for the current and updated schedules)          


              The Falcarragh Karate Club is A NON-PROFIT Organisation
              run solely for the benefit of all our members and is
              dedicated to the improvement
              of the individual and organisational standards

FIGHTSTOPPERS - Matt Knorr's One Strike Stop



Friday, 15 June 2012

CONTACT:
Falcarragh Karate Club, Falcarragh, Co. Donegal, Ireland,
Tel: (00 353) 086 1773901,
e-mail; falcarraghkarateclub@gmail.com &  falcarraghkarate@gmail.com
CLASSES at: Ionad Chu Chulainn, Ballyconnell Road, Falcarragh, Co. Donegal.
TUESDAYS 7- 9pm, WEDNESDAYS 7- 9pm

THE Falcarragh Karate Club is A NON-PROFIT Organisation run solely for the benefit of all our members and is dedicated to the improvement of the individual and organisational standards


Our System;     We are a "Kissaki Kai" Karate Club


If you are interested in practicing Karate" 
The FIRST STEP  is the hardest step to take.
 
Thinking about what it will be like etc. and the process of deciding to attend your first class can be a daunting experience.  We understand that, because we went through it too, but by the end of your first session, you could have acquired new skills and be totally relaxed in a new,  rewarding and enlightening environment. 


"Real KARATE" .. "is NOT", and was not ever intended to be a young persons "pursuit" 
Because Karate is not a game. Remember that Children in Karate is a TRULY MODERN phenomenon ("not a Traditional one"). Some basic concepts and principles are helped and often require knowledge and life experience


Real Karate is pragmatic at its purest, and it is not a game,  its function was and is to provide and to teach Adults civilian protection skills.


Real Karate, is not a sports competition and never was
Unfortunately a current popular misconception, would have people believe & envisioning that the watered down modern versions, that can be regarded an artistic endeavour or sporting activity, where people can win some trophies is real karate, this is a mistake. 

Karate;  Its primary function and true purpose.
 Karate needs to be of an applied practical functional in nature, useful to all, the athlete and the non-athlete, its not a points scoring excerise.

Thursday, 18 August 2011

Report by Jorge F. Garibaldi, Ten Chi Jin Martial Arts Academy, Århus, Denmark

I think that this report that follows, is as good a description, as any I've seen, or read.

"Looking in from the Outside"
My first seminar with Vince Morris Sensei
By  Jorge F. Garibaldi,
        Ten Chi Jin Martial Arts Academy
               Århus, Denmark

Saturday 15th of September 2007, that’s a day I will remember.
That day I attended a seminar taught by Vince Morris sensei. I had read a couple of his books years ago, but not being a Shotokan student, and blinded by my own bigotry I decided that there was probably nothing to this guy. After all, he wasn’t Japanese, and as we all know, if you don’t have the right passport, your martial arts are rubbish…
But the years had passed, and finally I had learnt that knowledge and wisdom know no national boundaries. My years of dogma were finally over.
So there I was, Saturday 15th, not really knowing what to expect, but hoping to find someone who knew what he was talking about and could back it all up with theoretical knowledge and hands on demonstrations.

There’s this old saying, “be careful what you wish for, you may get it”…

Well, I got it!

Vince Morris sensei turned out to be a great martial artist and a great teacher. I could sense the maturity of his Karate, not just by what he taught, but mostly through his way of moving, smoothly and quickly, pushing against the floor, and his explosive and devastating techniques.

That particular day we worked with Kanku Dai (Kushanku). In the opening movement of the kata, and its applications, he answered questions that had been poking at my mind for over 20 years.

Every time I would ask my instructors about the opening movement of Kanku Dai. The answers would vary depending on the instructor. If he was Japanese, the answer would be “kamae!”, if he was a westerner, the answer would be: “you are looking at the stars”, or “you are gathering ki” or something to that effect.
Not this day. Not Saturday 15th of September 2007. This day I was finally told that one recurring theme of Kanku Dai is unbalancing your opponent and positioning him where he can be hurt, and was shown how this ancient technique work. A wonderfully effective and devastating way of “looking at the skies”, don’t you think?

Time seemed to stop or to cease to exist. We worked intensively and with deep concentration.
We were shown a sequence and paired off to try for ourselves, stopped for corrections, and paired off again, trapped in an exhilarating vortex of knowledge and energy.
It was raw fun and motivating. Thanks to sensei, I had found my beginners mind again. After more than 20 years, the joy of discovering was rushing through my veins again.

Within the frame of Kanku Dai, we worked with footwork, energy generation, controlling the opponent in such a way as to make him predictable (I definitely want to dig deeper on that one), distance or maai, the use of stances, kyusho jutsu, mental attitude, etc. It was clear that a lifetime of studies was ahead of us, if we aspired to master these concepts.

Another surprising thing was his age.  I thought that Vince sensei was in his fifties. Everything about him spoke of martial maturity and physical ability, his physical appearance, the way he moved, etc.

Imagine my astonishment when he said that he was 63 years old! That gave me something to think about. I have just turned forty, with all the anxiety that figure brings to us “aging” martial artists. Will I be able to keep up my training? Will my abilities start to diminish? Will I stop developing as a martial artist?
Well let’s put it this way. I would be very, very happy, if I could move at forty, the way Vince sensei moves at 63!!

So from now on, my training is all about moving like a 63 year old!

Jorge F. Garibaldi

Ten Chi Jin Martial Arts Academy
Århus, Denmark

Shock, Horror and Blocks

Panic, Fear, Danger, Shock, Horror & Blocks.                                                          

In a heat of a real and imminent danger or hostile encounter,                  
with your body undergoing all sorts of extreme stress,
if all you can muster are basic Karate techniques from your available reaction toolbox /memory they should be;
 the Best ,  i.e. most effective and easy to use. 
Therefore, even if you only know a few solid practical Karate techniques let us say the bunkai of Pinan Katas for example, or whatever source, you should still be able to defend yourself, especially if you understand the principles and you have been practicing the fighting moves diligently
 (If you're thinking in terms of using sports applications, please, Don't !!!!)

*Understanding and practicing the actual depth of Pinan Kata and the Nai hanchi Kata will endow you with good fighting moves and skills.
(*Understanding is the key word here)
These basic Karate techniques are especially effective defensive street fighting moves trained properly AFTER you have:                                                          
 1. Distracted or blind sided your opponent, or caused him to lose focus on harming you.                                                                                  
 2. Moved away from his centre line, making it hard for him to reach or strike you.                                                                                                    
 3. Destroyed your opponent's limbs, balance, mobility, or vision.

Look at the so called "basic building block" techniques that it presumably teaches,      for good examples:   
                                                             
1. Gedan barai - as a downward forearm strike to your opponent's jaw line, back of arm, kidney or inner thigh. You can KO a person by striking 45 degree into his brachial plexus using this technique, especially after you have brought him down to his knees.  (Learn what this means
2. Jun-tsuki - as a straight punch to any of your opponent's "vital points" (not to totally pointless places) in while pulling him towards your punch simultaneously using Hikite.
3. Jodan (age) uke - as an upward forearm strike to your opponent's jaw line or neck while pulling him towards your forearm simultaneously using Hikite.
4. Shuto uke - as a scooping strike into the inner forearm of any incoming punch/grab/push/pull. This would weaken your opponent's arm and deflect it away to open up his neck for the returning knife-hand "to strike".
Similarly, "basic" Karate techniques like Soto uke and Uchi uke can be used to weaken or destroy the limbs and even knockout a person, when used as very violent street fighting moves. 
                Imagine these usages: (visualise practice and train)
5. Uchi uke - as a flurry of pulls, pushes and strikes to your opponent's upper chest, collar bone, neck and jaw. Hitting all these targets with one hand, like a solid club while unbalancing him violently with the other by grabbing his clothing. Or as a strike on the back of the arm, while you grab and pull his wrist towards you. These are very devastating  fighting moves because you strike your opponent repetitively like a frenzy while causing bewilderment to them by constant unbalancing. 
6. Shoto uke - as a whipping strike to the lower back of your opponent's head while pulling him towards you simultaneously using Hikite (withdrawing hand technique). The side of your arm would contact his neck, jaw or etc (initial damage) while your fist/hand would wrap around and hit the lower back of his head, possibly inducing a knockout. This is actually an advanced Karate technique. The more relaxed you are, the more damaging this or any whipping blow will be.

Simple and straightforward fighting moves that can be easily executed under stress;.   are the most useful tools in any personal armoury

SPEED and "Efficiency"  ARE THE MOST IMPORTANT ATTRIBUTES IN "BLOCKING"                                                                                            
To survive a real fight, you must be able to block “ i.e redirect”  the attacks on you and retaliate decisively preferable at the same time or premptively.
To be able to block successfully (in a blow for blow fashion) is insufficient by itself.  
To end a fight, you must hit him more and harder than he hit you. Practical  fighting techniques always consist of simple straightforward techniques emphasizing speed. With speed, you'll naturally get Efficiency & power.
For safety,
speed and efficiency,
most Karate "saving" techniques are both a block and strike. That means we hit our opponent at the same time "we block (i.e nullify) his strike" or nullify his intention to strike grab or injury by whatever means.

The first rule is: "Block and counterattack" must be one single movement.
1. Grab the opponent's striking limb and using hikite (withdrawing Hand technique), pull him towards you. (Many typical competition Karate styles teach hikite basically as a move to chamber a punch or block but never even use it in their competition training ....  something that's weird & illogical :-) ).               
 2. As you pull him towards you, strike his eyes, face, neck, throat or ribs hard, the choice of target depending on your last shifted position and your intention (stun, hurt or KO).

Vital Points


VITAL POINTS STRIKES
HAVE ALWAYS BEEN AN IMPORTANT  PART OF KARATE BUNKAI.  
                                                                    
Why wouldn't they be ?
  
Vital points strikes are effective for fighting, and can level the odds when you are facing bigger, stronger, or faster opponents in a hostile situation.
Points strikes are very much an essential part of Karate bunkai as shown in many Kata, provided you know how to interpret them accurately.

Many Karate Kata bunkai contain kyusho points striking techniques.

But you should never rely on kyusho jutsu or Atemi exclusively.

Bunkai also contains throws, trips/sweeping movements, locks, parrying, strangles/chokes,
as well as the obvious strikes to the most sensitive areas.